I prefer the Toast 7 view during burning.Ĥ. The minimizing of the burning window is very lame (white, writing "filename", boring!). Why not show it to me with an option to never see that warning message again, or put in a preference to hide it completely or set the first track to 2 seconds without me knowing it and get on with the burning.ģ. Why? Do I have another choice? It wastes my time as most of my burning is cds of concerts. do you want me to fix that?" dialogue box still appears. Burning audio disc - The stupid "the first track must have a pause of two seconds. Why? I figured the new version of spin doctor would add this ability since Toast 7 could play/burn them.Ģ. I can play/burn flac and shn audio files in Toast 8 but can't open/edit them in CD Spin Doctor. We used x264 on Windows and preprocessed through AVISynth (Windows only, because it didn't handle files like ProRes natively), but the commands would be the same on mac and you shouldn't need AVISynth since ProRes will be handled by the OS, assuming that's your starting codec.1. Once you have that installed, you open a command line and use the instructions at the link I provided above, changing the name of the files in the file path to your mov files. Step 2 installs homebrew, which makes it really easy to install command line applications without having to compile code. On a mac, Homebrew is your friend for command line applications: So $1000 is quite reasonable for the amount of work involved, as you've discovered! And a professionally authored feature film takes at minimum 2-3 days of work. I mean, aside from the fact that requests were so rare over the last few years - by the time the job got to us, there was no budget left. Find someone using Scenarist or Blu-Print to do this for you.Ĭlick to expand.That right there is why we stopped authoring discs. Many replicators will take non-compliant discs but then they mess with them on their end to make them compliant, and we've seen that break discs. You have to make sure the disc is formatted just so. The recipes for Blu-ray compliant files are here: īut seriously, if you're going to replication, there's more to it than just the encoding. The last 70 or so commercial releases we did on Blu were done using this and it blows all other commercial encoders out of the water. If you want a good result, use x264 - it's command line but the results are outstanding. Compressor makes terrible files, and so does AME, unless you're doing very high bit rates for both. While it's certainly possible with Encore, it's not going to look great.Īs for the file format question, m4v is just a container and it can contain AVC, which is the blu-ray compliant flavor of H.264. I'd offer to do it but mercifully we got out of that world last year and are no longer authoring discs. You're better off hiring someone who knows how to do this because Blu-ray authoring for commercial release is a gigantic pain in the butt with a lot of pitfalls. There may have been some workarounds to do this in later versions, but it's clunky as hell and looks bad. They won't function like a normal HDMV disc, where the menus are an overlay layer on top of a generic background. I mean, it can make menus but they're subject to the limitations of DVD menus. There's not a lot of affordable solutions on a Mac that's why I'm using Encore CS6.Ĭlick to expand.Encore doesn't let you author proper Blu-rays with menus. It requires an authoring, so direct out of Compressor or Toast won't work. Is there something I'm missing or any suggestions?ĮDIT: I should mention this is for a feature release with multiple custom menus and scene selections. Even at the highest settings Adobe Media Encoder kicks its ass. except it looks like *really bad.* I mean, it's not even a contest. If I look at the info for the clip it says h264 but if I change the extension it doesn't play well with others.Īpple Compressor doesn't have this problem and those files slip right into Encore CS6 without a problem. I've tried it from Premiere Pro 2018 & 2019, Media Encoder CS6 & 2019 and get the same result. 264 it plays but Encore insists on transcoding it, which isn't really necessary. I'm trying to transcode a Prores HQ clip into H.264 Blu-Ray for use in Encore CS6 (I know, I know, but I'm on a Mac and that's all there is) but PPro and Media Encoder each force the file into m4v extension.
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