![]() Many Effect Commands make use of 'ticks', so it's important to understand the concept. If you want the cursor to advance to the right instead, hold "Left Shift" while entering the values. When recording an effect column value, the cursor automatically moves down to the next line. If you want the value to be '48', then move the cursor over to the second digit using the arrow keys and press '8' there. For example, if you are at the first digit in the Volume column and press '4', the value will become '40'. Entering a value will place it at that exact digit in the column. Values are entered using the row of numbers above the letters on the keyboard, not the number-pad, which is reserved for quickly switching between instruments in the Instrument Selector. You may find it useful to watch our 9-part "Effect Commands" video series, which provides explanations and demonstrations on this subject.Įffect Commands are recorded in Edit Mode with the Tracker Interface, so if you're unfamiliar with this method of working, you should read through that section of the manual before continuing here. All this can be easily and precisely achieved with Effect Commands. Examples include: starting the playback of a sample from the middle (S effect), then playing it in reverse (B effect), panning it fully to the left (pan column), then retriggering the waveform at its current position (R effect in the pan column) while simultaneously gliding to another note one octave down (G effect). They also allow various direct manipulations of sample audio, which can only be done via Effect Commands and is a major feature that differentiates trackers from other DAWs. 1.5 Effect Commands Quick Reference CardĮffect Commands are used in the Pattern Editor and Phrase Editor to perform a variety of tasks, from changing the volume of a single note, to automating the parameters of Track Effects, or controlling the song during playback.1.3 Entering Multiple Digit Values with the Computer Keyboard.1.2.1.2 Sample Command Variations (Renoise only).1.1 Recording and Editing Effect Commands.Your license does not restrict you to any particular platform and is fully portable. Redux is available for Windows, OSX and Linux, in VST and AudioUnit formats. and, of course, the instrument as a whole. This includes phrases, (multi-) samples, modulation sets, individual effects or full chains. Presets everywhereĪlmost every section of Redux can save and recall its particular settings. Use it to adjust volume levels, cut leading or trailing silence, apply effects, chop samples into slices. Waveform EditorĪny good sampler should have a waveform editor and Redux is no different. Redux features an innovative on-screen keyboard to help unlock these secrets and provide visual feedback. ![]() ![]() Keyboard DrivenĪ tracker typically make use of numerous keyboard shortcuts and commands. Each of these macros can be connected to any number of parameters and functions under the hood. Redux features a straightforward automation system with eight globally accessible macro controls. With a large selection of DSP effects and a quasi-modular system that allows devices to modulate one another, the sound design possibilities of Redux are almost endless. Redux offers true per-note polyphonic modulation, which can be used to transform your material into anything from a short stab to a lush ambient soundscape. Redux has inherited and expanded upon a rich set of features from its big brother, Renoise, including techniques to trigger notes and control sample playback with surgical precision. Redux understands most common audio file-formats, including the. Or import existing files by simple drag and drop. Create sounds from scratch with the built-in sample recorder and draw tool.
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